The Making of Sharpe's Peril

Last Update: 19 Oct 2008

Part of the filming of Sharpe's Peril in the river at Khudar Nala … at one point during filming we had twelve principal actors, eleven extras and three stuntmen in the water on-camera and eighteen crew. In this photograph, two of our faithful extras playing sepoys on the right are just about to enter 'the deep end' and go in up to the neck. To get around with 'dry feet' (carrying twenty pounds of ammunition and gear) meant a run of 350 metres - which through the assistance of Adam Paylor and 'anticipation' I only had to do twice (both ways each time). Our two sepoys here were each met by me with 'I bet you wish you had stayed in Khajuraho', but 'very well done' … and a reward of a cup of tea and a coleslaw sandwich.

Long ago, Sharpe had a "run-in" with the UK censor regarding 'realistically' and 'graphically' depicting violence on-screen. These extend to the depicted use of edged weapons and obviously, gunshot wounds.

We do use steel-bladed swords and real guns on Sharpe but these are all replaced by 'aluminum' blades and wooden 'dummies' for any close-up stunt-work.

Similarly the 'muzzle-blast' from firearms and the explosive special-effects is always calculated and designed to offer the least possible risk to anyone involved - including fitting earplugs. It looks real on the television screen but that is down to skilled and effective Direction using professional application of 'effects', camera-angle / lens, sound-recording and editing.

Our very-gifted Sarah of 'Make-up Department' applies a realistic recent bullet-wound to a principal actor involving latex and 'Kensington Gore' for a close-up. All the 'shirt-off' scenes involving Sean Bean and Michael Cochrane and the 'closed-set' scenes (involving nudity) also required a liberal application of 'sun-bloc' in addition to make-up due to the intense degree of the Indian sun.

 

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